The clever lyrics of Plain White T’s hit song are simply irresistible! "There’s only ONE thing TWO do, THREE words FOUR you: I love you." This faithful arrangement captures the original acoustic
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Wish your audience a Merry Christmas and a Happy New Year in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, it's a great choice to close
Add some multicultural flair to your holiday concert with this lively arrangement of the Puerto Rican carol. The playful "la la" section and syncopated verses are extra fun with the addition of hand claps
This stirring final movement from John Leavitt's world-famous Missa Festiva is available as a single work, newly engraved in octavo editions for all choirs. A superb new chamber orchestration
Develop your choir's a cappella skills with this straightforward original madrigal that employs traditional harmonies, modest ranges, and lots of repetition, making it a quickly learned piece. An excellent
This famous Thomas Morley madrigal has been a favorite for years. With a limited five-note range for boys, the easy, independent vocal lines and carefully placed dynamics make this edition an excellent
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Bring each section of the choir down a different aisle to add a theatrical element to the opening of your program and highlight the antiphonal qualities of this piece. Built upon three accessible parts in
A true classic for tenor-bass choirs, this Shaw–Parker edition features beautiful harmonies in a sensitive setting. Originally arranged for and recorded by the Robert Shaw Chorale, it is an enduring
Masterfully crafted with a traditional harmonization, this piece is an eloquent showcase for mixed or men's choirs. The addition of the SoundPax instrumentation (strings, flute, and percussion) will make
A plaintive opening expands into lush four-part harmony in this compelling a cappella concert selection. Meditative and earnest, Sally's glorious setting of the prayerful text will inspire your finest
This haunting melody from the Italian Renaissance has been recorded most recently by Charlotte Church and Andrea Bocelli. Patrick Liebergen's setting features straightforward vocal lines, a supportive piano